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Beowulf (2007)
Helloh IMAX !
Beowulf (if you have ever studied the English language you have probably been aware of the epic poem of the 8th Century and most likely already have read it) is the story of a 6th Century King (Hroðgar), who built a great hall (Heorot) that is attacked by Grendel. A young warrior from Geatland (Beowulf) hears of the incident and goes there to help. The second act is about Grendel's mother and the third act takes place many years later and involves a dragon.
This movie is rendered in 3 dimensional animation and looks incredibly amazing. Stupendously something something. You have to see it to believe it. True, it is not quite indistinguishable from "real" people on film, but animals and panoramic landscapes look just right. I think it is something in the eyes of the people, even with digital scans of the real actors, that gives them away. There is a sort of melancholic, sacrificial cow look to them as if there is no one home. There were several scenes where I was unsure if I was looking at photograph of the actor. I think that had to do more with the pose and that the eyes were not facing forward. The voice acting is very good and the confrontation scene between Beowulf and Grendel gave me goose pimples and I felt a shiver on the back of my neck.
Maybe it was the IMAX talking but I don't think I liked the movie as much visually if it wasn't in 3D. However, I actually found myself focused more on the story and my appreciation of it as a film increased when I saw it again on DVD. The IMAX version distracted with the 3D gimmickry, which at times is appealing and by the end quite tangible. On DVD, the magician's "trick" is revealed and now we have to focus on something else; the story.
This is a "Wicked" version of Beowulf as it differs from the poem and suggests that the characters existed and their life becomes the poem (the poem though fictional is based on actual historically known people). Many themes are touched upon: adultery, deception, the nature of a monster, bravery, a hero, sacrifice, death, life, guilt, temptation, glory, legacy, determination, lust, greed, envy, and legends. I think it works quite well and can be described as logical or at the very least plausible (for a universe where dragons, magic and monsters exist).
Some have compared this film to 300 and in some instances even surpassed it, however, I do not feel the same. Beowulf is by far the better movie. It takes artistic license with the original text only, where as 300 is based on Snyder's over the top interpretation of Frank Miller's sandal Dark Horse mini series based on the historical documents of the Battle of Thermopylae. You can see the derivation is diminishing the mixture. 300's ambiguous political message, CG blood-stain-proof bloodletting and hypocritical motivational speeches have been already over done in the last 20 years (Braveheart, Glory, and just about every football movie ever seen). 300 is a good movie (slightly better upon second viewing) but Beowulf is more original and captivating.
Perhaps it was something else entirely. Most theater experiences these days consists of frustration at the immaturity and gold fish attention spans that think going to the movies is synonymous with walking on the street. Also the products released these days are severely underwhelming and homogeneous. With the rise of home theaters, high resolution and large displays, more and more people are just staying home and watching DVDs (this also explains why DVDs come out a mere few months after the theatrical release, some going straight to DVD and others limited day-only-screenings on HDTV channels like Mojo or InHD). Perhaps this unusually energetic and participatory audience stirred some emotional connection, however small. Much like the world in 2000 AD (the comic) ours has become an automated gray limbo where all you care about is your next vice to make you feel something, anything.
Both versions appealed to me and I would put them on equal footing if not for the above recollection of my initial viewing. The IMAX version wins out slightly simple because of the spark that still exists in humanity. Even if it lasted for 1 second or the story ended in disappointment, it would have be sufficient for the price of admission. Don't skip this one.This movie is rendered in 3 dimensional animation and looks incredibly amazing. Stupendously something something. You have to see it to believe it. True, it is not quite indistinguishable from "real" people on film, but animals and panoramic landscapes look just right. I think it is something in the eyes of the people, even with digital scans of the real actors, that gives them away. There is a sort of melancholic, sacrificial cow look to them as if there is no one home. There were several scenes where I was unsure if I was looking at photograph of the actor. I think that had to do more with the pose and that the eyes were not facing forward. The voice acting is very good and the confrontation scene between Beowulf and Grendel gave me goose pimples and I felt a shiver on the back of my neck.
Maybe it was the IMAX talking but I don't think I liked the movie as much visually if it wasn't in 3D. However, I actually found myself focused more on the story and my appreciation of it as a film increased when I saw it again on DVD. The IMAX version distracted with the 3D gimmickry, which at times is appealing and by the end quite tangible. On DVD, the magician's "trick" is revealed and now we have to focus on something else; the story.
This is a "Wicked" version of Beowulf as it differs from the poem and suggests that the characters existed and their life becomes the poem (the poem though fictional is based on actual historically known people). Many themes are touched upon: adultery, deception, the nature of a monster, bravery, a hero, sacrifice, death, life, guilt, temptation, glory, legacy, determination, lust, greed, envy, and legends. I think it works quite well and can be described as logical or at the very least plausible (for a universe where dragons, magic and monsters exist).
Some have compared this film to 300 and in some instances even surpassed it, however, I do not feel the same. Beowulf is by far the better movie. It takes artistic license with the original text only, where as 300 is based on Snyder's over the top interpretation of Frank Miller's sandal Dark Horse mini series based on the historical documents of the Battle of Thermopylae. You can see the derivation is diminishing the mixture. 300's ambiguous political message, CG blood-stain-proof bloodletting and hypocritical motivational speeches have been already over done in the last 20 years (Braveheart, Glory, and just about every football movie ever seen). 300 is a good movie (slightly better upon second viewing) but Beowulf is more original and captivating.
Perhaps it was something else entirely. Most theater experiences these days consists of frustration at the immaturity and gold fish attention spans that think going to the movies is synonymous with walking on the street. Also the products released these days are severely underwhelming and homogeneous. With the rise of home theaters, high resolution and large displays, more and more people are just staying home and watching DVDs (this also explains why DVDs come out a mere few months after the theatrical release, some going straight to DVD and others limited day-only-screenings on HDTV channels like Mojo or InHD). Perhaps this unusually energetic and participatory audience stirred some emotional connection, however small. Much like the world in 2000 AD (the comic) ours has become an automated gray limbo where all you care about is your next vice to make you feel something, anything.
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