Posts
Terminator 2: Judgement Day (1991)
Do motorcycles come with a gun rack or is it optional? Oh yeah, what about the Great Schism?
2:14 AM, August 29th,1997. The day the world ended, sort of.
This is where the series ended for me. Much in the same split as the great Christian Schism (in 1054) or the fundamental difference between Shi'a and Sunni Islam, this film is the fulcrum upon which the "Terminator" universe is divided. The first and second films being the canon of this universe and all the follows as filler, but not all together relevant in any way (anyone remember the Dark Horse series of the 90's?).
About the only thing that doesn't work in this film (believe it or not) and the thing that keeps it from being perfect is Edward Furlong. Robert Patrick, the Austrian Oak (Schwarzenegger) and Linda Hamilton (the one and only Sarah Connor, beefed and bad ass) are excellent at anchoring a convoluted, yet somehow plausible situation/plot for Cameron's dystopian future. It is hard to believe this film is less than 20 years old, yet has become a part of science-fiction canon.
While there is more of everything in this film (by comparison with the first), including a larger story arc with psychological tension, which is supported by the state of the art (at the time, which still hold up pretty well) special effects cache, lots & lots of action and explosions, you would think this would put it ahead in every category. Unfortunately the "edge" still goes to the first film. It does break the sophomoric jinx (a.k.a - sequel syndrome), sacrificing some of the "edge" for a broader arcing and more complicated story arc and becoming a much better film in the process. There is something to be said for the simplicity, darkness and fog of war of the original.
So this time around, after Sarah Connor (Linda Hamilton) returned from the stormy desert of Mexico (at the end of the first film), many years have passed. John (Furlong), her son, is now a whiny and "troubled" foster teenager and Sarah herself is committed and certifiably nuts (not to mention beefed up and ready to kick ass of any kind). A new, upgrade model of the Terminator (Robert Patrick) is sent by Skynet back to the 90's to kill John. The John of the future (2029 or so) trumps this gambit by sending a reprogrammed version of the T800 model (Schwarzenegger) to protect himself in the past. Add some bonding, Sarah's plausible paranoia, 2 Terminators, 1 Austrian Oak, many explosions, lots of guns and fighting, a tongue-in-cheek humor system and a rather satisfying ending and you have a recipe for a great movie.
The "Extreme" DVD viewing is not required, but it will expand certain aspects of the story arc more thoroughly. I do prefer it over the theatrical version, but that's just me.
This is an archetype of the possibilities of a good summer blockbuster. Everybody loves the Terry Brooks endings. Happy endings can occur, they just require a sacrifice. Also, time travel is a tricky thing. Gray is gray, and the future is not yet written.
About the only thing that doesn't work in this film (believe it or not) and the thing that keeps it from being perfect is Edward Furlong. Robert Patrick, the Austrian Oak (Schwarzenegger) and Linda Hamilton (the one and only Sarah Connor, beefed and bad ass) are excellent at anchoring a convoluted, yet somehow plausible situation/plot for Cameron's dystopian future. It is hard to believe this film is less than 20 years old, yet has become a part of science-fiction canon.
While there is more of everything in this film (by comparison with the first), including a larger story arc with psychological tension, which is supported by the state of the art (at the time, which still hold up pretty well) special effects cache, lots & lots of action and explosions, you would think this would put it ahead in every category. Unfortunately the "edge" still goes to the first film. It does break the sophomoric jinx (a.k.a - sequel syndrome), sacrificing some of the "edge" for a broader arcing and more complicated story arc and becoming a much better film in the process. There is something to be said for the simplicity, darkness and fog of war of the original.
So this time around, after Sarah Connor (Linda Hamilton) returned from the stormy desert of Mexico (at the end of the first film), many years have passed. John (Furlong), her son, is now a whiny and "troubled" foster teenager and Sarah herself is committed and certifiably nuts (not to mention beefed up and ready to kick ass of any kind). A new, upgrade model of the Terminator (Robert Patrick) is sent by Skynet back to the 90's to kill John. The John of the future (2029 or so) trumps this gambit by sending a reprogrammed version of the T800 model (Schwarzenegger) to protect himself in the past. Add some bonding, Sarah's plausible paranoia, 2 Terminators, 1 Austrian Oak, many explosions, lots of guns and fighting, a tongue-in-cheek humor system and a rather satisfying ending and you have a recipe for a great movie.
The "Extreme" DVD viewing is not required, but it will expand certain aspects of the story arc more thoroughly. I do prefer it over the theatrical version, but that's just me.
This is an archetype of the possibilities of a good summer blockbuster. Everybody loves the Terry Brooks endings. Happy endings can occur, they just require a sacrifice. Also, time travel is a tricky thing. Gray is gray, and the future is not yet written.
No comments:
Post a Comment