Showing posts with label Cinematic Titanic. Show all posts
Showing posts with label Cinematic Titanic. Show all posts

Friday, April 10, 2009

Review of "Terror! Il castello delle donne maledette" (1974)


Terror! Il castello delle donne maledette (1974)
(a.k.a.Frankenstein's Castle of Freaks)


This is a prime example why they fire people on Fridays.


The accuracy of production: 19th century jeans, turtleneck sweater and leather belt.

The movie starts suddenly on a small cliff. What appears to be a man in animal skins (a caveman I suppose) is on top of the cliff throwing things at people below. The people are dressed in 18-19th century garments and are throwing things, up at the caveman. Sadly you know this will be a bad/cheap movie from the start as there appears to be a man in jeans and a turtleneck in the crowd of villagers. Did the movie run out of costumes up front or was this guy crashing the movie? Eventually, the villagers overwhelm the lone caveman and proceed to beat him to death with clubs & rocks. Then the titles.

No little people were harmed in the making of this. They were just manhandled.

Marie Frankenstein (the doctor's daughter) is on her way home to her family's country castle, with her fiancé and a female friend tagging along for spring break. According to the good doctor, the Neanderthal man's (a.k.a. caveman) appearance is not a fluke, but is explained by "science". They somehow live in the nearby caves and have for hundreds of years. His experiment is the reanimation of that ex-caveman, now called "Goliath".

Cinematic Titanic debuts the "Breast Blimp", to the dismay of all watching.

This is a typical Italian knock-off/mash up of movie genres. I have had numerous experiences with these, from spaghetti westerns to giallo to the epics and even the apocalyptic future. This one is the Italian version (much cheaper) of a Hammer film with gratuitous nudity. It does try to portray Dr. Frankenstein as a misunderstood character, who is good by nature and circumstances and others have tarnished his image (the Wicked effect). This aspect is muffled by the gratuitous nudity, some horrible dubbing, extremely low budget and the "freaks". When you add 2 Neanderthals cavemen (one living in a cave and the other necrotic), a revenge driven ex-employed dwarf (Michael Dunn, most renowned for his role in Star Trek's Plato's Stepchildren episode) and a mustached, adulterer hunchback (Boris Lugosi, Karloff & Lugosi's Italian love child), what good can come from it?

Bela Lugosi & Boris Karloff's Italian love child : Boris Lugosi.

Basically, it was the dwarfs fault. Firing the dwarf causes the series of events that we are all aware of : monster escapes, innocent people are killed, villagers riot with torches, the monster & Frankenstein are killed by the end. There is not much horror, logic, acting, suspension of disbelief, nudity or much of anything else in this movie except a painfully long run time. You will struggle with the dialog, as some of it sounds like English, but in the end all you come away with is that the rule of the mob is that the mob rules. That and the idea that a long, nude mineral bath can fix just about anything.

Experience all the screen shots here.

Thursday, April 9, 2009

Review of " Legacy of Blood" (1971)


Legacy of Blood (1971)



A ride on the night train to Mondo Hell, stops at a modern Borgia's mess

This is the fourth installment of Cinematic Titanic and it's a real stinker. The guys do a great job of dwindling the pain level to a tolerable nuisance. So "ditch the dickey" and jump on it.

The best scene in the movie, muted.

You know a movie will not go well when John Carradine narrates (a.k.a. reads the script & plot synopsis) over his character's funeral procession, a mere 5 minutes into the movie. The narration is his character's last will & testament. It stipulates that his estate be divided amongst his 4 children and servants. The children shall split $136 million equally, but if any should die then that share is split amongst the remainders. If all the children should die then it is divided amongst the servants. To be eligible, they must live in the family estate for a week. It sounds like the typical plot of a reality show.

There is little subtext as to the nature of the Deans. They are a powerful and severely dysfunctional family, but the real trouble starts with the drowning of that dog. From the opening voice-over by John Carradine you expect this movie will lead to a Machiavellian cat and mouse game with a twist ending.

The director debuts fish-vision technology.

That journey is painfully slow and pointless. We trudge through minutes of watching people sitting around, playing pool, throwing darts, the misuse of the "through the fish bowl" shot, dramatic conversations between silk cravat wearing men, constant bickering, misplaced circus music, bizarre flashbacks reminiscent of faux-German expressionism, the horror aesthetic of the 4th grade and heaps of dramatic overacting. This all inevitably leads to the expected & ungratifying ending.

In the end, you will be happy to still be alive, but the pain might be too great to bear alone. This is probably the 2nd funniest of the series, behind the Oozing Skull, with some great lines such as: "We're like the white Jacksons" or "Check it out. I'm acting backwards." Share children, share.

S&M night at John Carradine's house.

Screen shots here.

Read non-Cinematic version here.

Friday, April 3, 2009

Review of "The Wasp Woman" (1959)


The Wasp Woman (1959)



Smooth as honey, painful acid.

I think those are bees.

Dr. Zinthrop extracts royal jelly from a queen wasp, which is the key to his development of a rejuvenation formula. On the other side of the world, Janice Starlin is a former model/starlet that has created a cosmetics company based on her image. Her age is now affecting her sales. By Corman chance(I mean random), Zinthrop meets with Starling to develop a human version. Zinthrop decides to test it on Starlin herself. Starlin's patience with science wears thing & she decides to overdose on the test compound, with comic results.

The eventual results of watching this movie: madness.

I wish I could tell you there is more, but sadly Corman packed the movie with as many items from an office-supply company catalog as possible. Makes one wonder who funded the movie. 73 long minutes loaded full of scenes of bureaucracy including office phone calls, business lunches, several board meetings, filing, paying invoices, office small talk, searching through drawers, searching for missing persons, driving around, sneaking around rooms, delivery of things, delegating tasks, riding elevators and going over an itinerary. The scenery more than makes up for this by placing us in remote & exotic locations like a boardroom, an office and a room made to look like a laboratory. In all honesty, there is a scene with Dr. Zinthrop walking around the woods, by himself, or the scene where we are driven around to crazy carnival music. Neither seems to have much relevance to the actual movie, however.

Bruno VeSota, in one of his finest roles, as the expendable night watchman.

In the end, not even the presence of Bruno VeSota (a.k.a. the poor man's Orson Welles) could salvage this monstrosity of boredom. Under no circumstances should you watch this without the accompaniment of friends or in a non-Cinematic Titanic version. 1.5x setting was the perfect speed to keep from going into a coma. Failure to do so will result in severe psychological damage.


All the screen shots available here.

Review of "Doomsday Machine" (1972)


Doomsday Machine (1972)



Two movies for the price of one. Bulk isn't always better, but I don't believe it. I DON'T BELIEVE IT!

Casey Kasem during the "dark times".

This is the second movie from Cinematic Titanic (the first being the Oozing Skull), also released in 1972 and both containing the acting talents of Grant Williams, dubbed by some as "one of the four actors of the apocalypse". After watching them back-to-back, you will realize just how true that moniker is.

The communist Chinese develop the gumball technology of doom, who's detonation force will "rupture the faults of the earth's surface and setup a chain reaction of explosions when the earth's tension is broken." For the lay person, this means that the Earth will be destroyed. The US response is to replace half of the all-male crew of Project Astra, who's goal was a mission to Venus for a 2 year trip, with a female crew. Instead of the planned mission, they become humanity's Adam & Eve/Noah's Ark insurance policy. Will humanity survive?

La-Z-Boy, one of the fine sponsors of this film.

There are two distinct movies here. The first part is a genuine attempt at a low budget science fiction narrative with a message (albeit derived & unoriginal) in the nature of Ikarie XB1. That movie dies suddenly somewhere over Venus. You are probably asking yourself how will you know when that is? Trust me, you'll know. It is when the second movie starts, all with different faceless-actors in a dark room doing stuff. This leads into stills & voice-over narrative. Fin.

In the end all you remember is that a lot of painful, pointless dialog occurred, with female astronauts walking around a rocket in their pink robes. And then it all ends in a whimpering blaze (yes I know this is oxymoronic, but it is how I felt). You are not quite sure if anything ended, except the life span of several of your neurons. ad astra per alia porci.

The unfortunate effects of watching this movie at normal speed : insanity.

As an alternative I have developed levels of fast-forwarding that does not deter from the watching experience (as the voice and sound effects can still be distinguished) but alleviates most of the sources of movie induced hemorrhages; 1.5x speed-up & 2x speed-up. The first option is less severe and almost unnoticeable. It will reduce the film length by a 1/3. The second option should only be used in cases of severe pain and it will alter the movie drastically & reducing the film time by 1/2. During the course of watching the Doomsday Machine, I alternated between 1.5x & 2x frequently. Even with the crew of the Cinematic Titanic helping, it was still too much pain for me to bear (again).

Save me Casey Kasem!!

The remaining screen shots here.

Non-Cinematic Titanic version here.

Thursday, April 2, 2009

Review of "Brain of Blood" (1972)


Brain of Blood (1972)

(a.k.a. - The Oozing Skull, The Undying Brain, The Creature's Revenge)

I think it will be more than wonderful presenting Cinematic Titanic.

Mystery Science Theater 3000 was a staple for many. When it went off air, we searched for an outlet. Out of the darkness & rubble, first arose the Film Crew(now defunct) and RiffTrax. Both these endeavors revolved around Mike, Kevin & Bill, and thus only part of the original crew. The remaining cast, Joel, Trace,Frank & Mary, started Cinematic Titanic. The Oozing Skull is their first release.

So visceral, so bright.

In the Muslim country of Khalid (fictional), its benevolent leader/dictator,Reed Hadley as Amir, is dying of cancer. Amir dies and a desperate plot unfolds. His body is wrapped in aluminum foil and taken in a clandestine operation (the population does not know of his death) consisting of his doctor (Nigserian) and Mohammed, out of the country to perform a risky brain transplant. The surgery is being performed by the disgraced Dr. Kent Taylor, who believes there is no chance of failure and has two assistants. One of them is about 3 feet high (Master Blaster did indeed run Barter Town) and the other is a mutilated & traumatized 7 foot giant named Gor. What could possibly go wrong??


Master Blaster runs Barter Town!!

Did I forget to mention Amir's deathbed American, blonde-Barbie wife, Tracy or that Dr. Kent has a dungeon with female slave test subjects & delusions of grandeur? How about a brain transplant that didn't take? There is a lot of double-dealing throughout this and people are killed, but I'm not going to lie to you anymore : MISSION ACCOMPLISHED. The ends justify the means. If you can accept that then you will not have to waste 80 minutes. I hope that is warning enough. Don't say I didn't warn you. If you must watch, then don't watch alone and have plenty of medicine standing by.


I prefer the new format, in that all "sketches" occur with the movie in pause, in front of the screen and not as a separate location. Also the inclusion of 5 commentators, instead of the traditional 3, opens up the possibilities for some truly dynamic exchanges. The Oozing Skull is a perfect first choice as it is nearly impossible to watch alone and remain conscious. "It's like Chinese sound effect torture."The crew of the Cinematic Titanic make going down with the ship a pleasant experience, to be repeated with friends.


Do not attempt this movie raw.

Here is the link to the non-Cinematic Titatic IMDB.com comment.

The rest of the screen shots are here.